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John Randolph "Jack" Webb (April,
1920 – December, 1982) was an Emmy-nominated American actor, television producer,
director, and writer who is most famous for his role as Sergeant Joe Friday in the
radio and television series Dragnet. He was also the founder of
his own production company, Mark VII Productions.
Early life
and career - Webb grew
up poor in the Bunker Hill slum section of his community to a Jewish
father and a Roman Catholic mother; he was reared Roman Catholic. A sickly
child, he studied art as a young man. One of the tenants in the rooming house
run by his mother was an ex-jazzman who imbued Webb with a lifelong interest
in jazz when he gave him a recording of Bix Beiderbecke's "At the Jazz Band
Ball." Webb was a graduate of Belmont High School in Los
Angeles[1].
Acting career
- After
serving in the United States Army Air Force as a crewmember of a B-26 Marauder
in World War II, he relocated to San Francisco to star in his own radio
show, The Jack Webb Show, a half-hour comedy program that had a limited
run on ABC radio in 1946. By the spring and summer of 1949 he abandoned comedy
for drama to star in Pat Novak for Hire, a radio show about a
waterfront character who operated as an unlicensed private detective. It
co-starred Raymond Burr. Webb's other radio shows included Johnny
Modero; Pier 23; Jeff Regan, Investigator; Murder
and Mr. Malone and One Out of Seven. Most notable was 'One
Out of Seven' in which Webb did all the voices, usually vigorously attacking
race prejudice. 'Pat Novak' was also notable for writing that imitated, almost
to parody, the hard-boiled style of such writers as Raymond Chandler. For
example: "She drifted into the room like 98 pounds of warm smoke. Her
voice was hot and sticky--like a furnace full of marshmallows."
Probably his most famous motion picture role was as the combat-hardened drill
instructor on Marine Corps Recruit Depot Parris Island in the film The
D.I., with Don Dubbins as a callow Marine private. Webb's
characterization in this role would color most of his later acting.
Dragnet
and stardom - Webb had
a featured role as a crime lab technician in the 1948 film He Walked by
Night based on the real-life murder of a California Highway Patrolman. The
film was made in semidocumentary style with technical advice/assistance
provided by Detective Sergeant Marty Wynn of the Los Angeles Police
Department. It was this film that gave Webb the idea for
Dragnet.
After
getting much assistance from Sgt. Wynn and legendary LAPD chief William H.
Parker, Dragnet hit radio the airwaves in 1949 (running until 1954) and
then television in 1951 on the NBC network. Webb starred as Sgt. Joe Friday, and
Barton Yarborough co-starred as Sgt. Ben Romero.
Webb was a
stickler for attention to detail. He believed that viewers wanted "realism" and
strove to give it to them. Webb had tremendous respect for the people in law
enforcement. He often mentioned in interviews that he was angry about the
"ridiculous" amount of abuse to which police were often subjected by the press
and the public. He said that he wanted to perform a service for the police by
showing them as low-key working class heroes. In 'Dragnet' he moved away from
earlier portrayals of the police in shows such as 'Jeff Regan' and 'Pat Novak,'
which often showed them as brutal and even corrupt.
Despite his
reputation for accuracy, he wasn't above bending the rules. According to
one Dragnet technical advisor, when he (the advisor) pointed out that
several circumstances in one episode were extremely unlikely in real life, Webb
responded, "You know that, and now I know that. But that little old lady in
Kansas will never know the difference."
In 1950,
Webb appeared alongside future Dragnet partner Harry Morgan in the film
noir Dark City.
The year
1952 saw Dragnet become a successful television show. Unfortunately,
Barton Yarborough died suddenly of a heart attack, and Barney Phillips (Sgt. Ed
Jacobs) and Herbert Ellis (Officer Frank Smith) temporarily stepped in as
partners. In 1952, veteran radio and film actor Ben Alexander debuted as the
second incarnation of jovial, burly Officer Frank Smith. Alexander proved to be
a popular addition to the series as Webb's detective partner and remained a cast
member until the show's cancellation in 1959.
Dragnet
began with
the narration "The story you are about to see is true. Only the names have been
changed to protect the innocent." At the end of each show, the results of the
trial of the suspect and severity of sentence were announced by Hal Gibney. Webb
frequently re-created entire floors of buildings on soundstages, such as the
police headquarters at Los Angeles City Hall for Dragnet and a floor of
the Los Angeles Herald-Examiner Building for the 1954
film.
During the
early days of Dragnet, Webb continued to appear in other movies, notably
as the best friend of William Holden's character in the 1950 Billy Wilder film
Sunset Boulevard.
Webb's
personal life was better defined by his love of jazz than his interest in police
work. His life-long interest in the cornet and racially tolerant attitude
allowed him to move easily in the jazz culture, where Webb met singer and
actress Julie London. They married in 1947 and reared two children. They later
divorced; Webb married three more times.
In 1951,
Webb introduced a short-lived radio series, Pete Kelly's Blues, in an
attempt to bring the music he loved to a broader audience. That radio series
became the basis for a 1955 movie of the same name. However, neither the radio
series nor the movie resonated with the audiences of the time.
In 1963,
Webb took over from William T. Orr as executive producer of the ABC detective
series 77 Sunset Strip. He brought about wholesale changes in the program
and retained only Efrem Zimbalist, Jr., in the role of Stuart Bailey. The
outcome was a disaster. The ratings sank, and the series was canceled just past
midway in its sixth season.
In early
1967 Webb produced and starred in a new color version of Dragnet for NBC.
This version co-starred Harry Morgan as Officer Bill Gannon. (Ben Alexander was
unavailable, as he was co-starring in Felony Squad on ABC.) The
show's pilot, originally produced as a made-for-TV movie in 1966, did not air
until 1969. The series itself ran through 1970. To distinguish it from the
original series the year of production was added to the title--thus Dragnet
1967, Dragnet 1968, etc. The revival also emphasized crime prevention and
outreach to the public. Its attempts to address the contemporary youth-drug
culture (such as the Blue Boy episode voted 85th-best TV episode of all time by
TV Guide and TV Land) have led certain episodes on the topic to achieve cult
status due to their strained attempts to be "with-it", such as Friday grilling
Blue Boy by asking him "You're pretty high and far out. What kind of kick are
you on, son?". [1]
Beginning
in 1968, in concert with Robert A. Cinader, Webb produced NBC's popular
Adam-12, which focused on LAPD uniform officers Pete Malloy (Martin Milner) and
Jim Reed (Kent McCord), which ran until 1975.
In 1968
Webb performed, in Joe Friday character, the classic "Copper Clappers" sketch
during an appearance on The Tonight Show where a pokerfaced Webb echoed
Johnny Carson's equally-deadpan robbery report where all the details started
with "Cl" or least the letter C.
In the
early 1970s, Webb produced The DA with Robert Conrad and O'Hara: US
Treasury with David Janssen. These were short-lived, but another show,
Emergency!, which portrayed the fledgling paramedic program of the
Los Angeles County Fire Department, proved to be a huge success, running from
1972 to 1979, with ratings occasionally even topping its timeslot competitor,
All in the Family. Webb cast his ex-wife, Julie London, as well as
her second husband and Dragnet ensemble player Bobby Troup, as,
respectively, nurse Dixie McCall and Dr. Joe Early. "Emergency!" was so
successful, there was a cartoon spin-off, "Emergency+4," as well as two other
series, "Sierra" (about the National Park Service in Yosemite National Park),
and one pilot show about Los Angeles County animal control officers, which aired
as the "Emergency!" episode, "905-Wild."
Late life
- Project
UFO was
another Webb production and depicted Project Blue Book, a U.S. Air Force
investigation into unidentified flying objects. This was the last major
product of his Mark VII production company. The end credits for the Mark VII
productions famously showed a man's hands using a sledge hammer to stamp "VII"
into a metal plate. It was later revealed that the hands belonged to Webb
himself.
He was
working on scripts for another revival of Dragnet in 1983 with Kent
McCord as his partner, when he died of a heart attack in 1982 at the age of
62.
He was
interred in the Forest Lawn, Hollywood Hills Cemetery in Los Angeles. Webb was
given a funeral with full police honors (including Police Chief Darryl Gates
announcing that the badge number 714 that Webb used in Dragnet would be
retired) although he had never actually served on the force.
Not only
did the LAPD use Dragnet episodes as training films for a time, they also
named a police academy auditorium after Webb.
Universal
has released several of Webb's series on DVD, including Dragnet 1967,
Emergency! and Adam-12. In addition a number of
episodes of the 1950s Dragnet series are now in the public domain
and as such are widely available on non-Universal DVD releases.
His
daughter Stacy Webb authorized the book Just the Facts, Ma'am; The
Authorized Biography of Jack Webb, Creator of Dragnet, Adam-12, and Emergency,
by Daniel Moyer and Eugene Alvarez, published in 1999. Unfortunately, Stacy
didn't get the chance to see the book; she was killed in a car accident.
Source : Some of the information on this page came
from a Wikipedia article and is licensed under the GNU Documentation
License. ©2008 www.geneticmatrix.com.
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