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Sophia Loren (born September 20, 1934) is a motion picture and
stage, Academy Award-winning actress, widely considered to be the most popular
Italian performer.
 Early life and
career
Sophia Loren was born Sofia Villani Scicolone in Rome, to unmarried parents; her
father Riccardo Scicolone was an engineer and her mother Romilda Villani was an
aspiring actress and piano teacher. Loren grew up impoverished in wartime Pozzuoli,
near Naples sharing a small flat with her sister Maria, her grandparents and her
uncles and aunts. She has said on many occasions that being born into and living
with extreme poverty for most of her childhood gave her a strength of character
that allowed her to succeed and appreciate every moment she has been given as a
human being. Up until Sophia Loren was about 14, she was considered an ugly
duckling. Seemingly overnight, she bloomed into a beautiful woman.
In 1949, at age 15, Loren left for Rome and about a year later began her film
career with bit parts in mostly minor Italian films. In 1951, Loren and her mother
worked as extras in Quo Vadis, which was filmed in Rome and provided Loren with an
early brush with Hollywood. She also appeared as Aida in Aida (1953), in which the
singing of Loren's role was dubbed by opera star Renata Tebaldi, and which caught
the eye of Cecil B. DeMille, who once said of Loren that 'You could build mountains
around that girl.'
Loren also supported her mother and sister by working as a model in the weekly
illustrated romantic stories, called fumetti or fotoromanzi under the name Sofia
Villani or Sofia Lazzaro. She also took part in regional beauty contests, where she
won several prizes. Loren was discovered by her future husband, the much older and
already-married film producer Carlo Ponti, and they wed on September 17, 1957,
three days before her 23rd birthday. Their first marriage had to be annulled in
order to keep Ponti from being charged with bigamy. The couple remarried on April
9, 1966, but only after Sophia, Ponti, and Ponti's first wife all obtained French
citizenship, thus enabling Carlo to divorce his first wife and marry Sophia in
France, where, at the time, Catholic doctrines regarding divorce did not prevent
legal civil marriage. The couple eventually had two sons together, Carlo Ponti,
Jr., and Edoardo Ponti. The couple remained together until Ponti's death on January
9, 2007.
Eventually, Sofia Scicolone changed her name to Sophia Loren (a twist on the name
of Swedish actress Marta Toren) and appeared in film roles that emphasized her
voluptuous physique, even appearing topless in the films Two Nights with Cleopatra
and It's Him, Yes! Yes! (considered acceptable in European cinema at the time,
though said scenes were usually cut when the films were distributed in the United
Kingdom or in North America). These early films were the only times she would
appear nude; she stated that she did not feel comfortable exposed to the camera in
the nude, as doing so represented 'a lot of nakedness'. Loren's acting career took
off upon meeting Vittorio De Sica and Marcello Mastroianni in 1954. Many feel that
her collaborations with De Sica would mark her finest work as an actress.
By the late 1950s, Loren's star had begun to rise in Hollywood, with films such as
1957's Boy on a Dolphin and The Pride and the Passion in which she co-starred with
Frank Sinatra and Cary Grant. Grant, reportedly, fell so deeply in love with Loren
that he ardently proposed marriage, despite her obvious loyalty to Carlo Ponti and
Grant's own union with actress and writer Betsy Drake. It is possible that Loren
had an affair with Grant but how serious their relationship was is now known only
to her. Stargazers and celebrity biographers consider the putative Loren-Grant
romance to be one of the more mysterious and elusive romantic involvements in
Hollywood history.
International
fame
Loren became an international film star with a five-picture contract with Paramount
Studios. Among her films at this time: Desire Under the Elms with Anthony Perkins,
based upon the Eugene O'Neill play; Houseboat, a romantic comedy co-starring Cary
Grant; and George Cukor's Heller in Pink Tights in which she appeared with blond
hair (a wig) for the first time. Loren demonstrated considerable dramatic skills
and attracted respect as a dramatic and comedic actress, especially in Italian
projects where she could express herself more freely, although she acquired great
proficiency in English.
In 1960, her acclaimed performance in Vittorio De Sica's Two Women earned many
awards, including the Cannes, Venice and Berlin Film Festivals' best performance
prizes. Her performance was also awarded an Academy Award for Best Actress, the
first major Academy Award for a non-English-language performance. Initially, the
stark, gritty story of a mother and daughter surviving in war-torn Italy was to
cast Anna Magnani as Sophia's mother. Negotiations, perhaps due to billing, broke
down and the screenplay was rewritten to make Sophia the mother; Eleonora Brown
portrayed the daughter.
Belying the typical portrayal of the beautiful actress as vacuous and emptyheaded,
Loren was known for her sharp wit and insight. One of her most frequently-quoted
sayings is her quip about her famously-voluptuous figure: "Everything you see, I
owe to spaghetti."
During the 1960s Loren was one of the most popular actresses in the world, and she
continued to make films in both the U.S. and Europe, acting with leading male
stars. In 1964, her career reached its zenith when she received $1 million to act
in The Fall of the Roman Empire.
Among her best-known films of this period are The Millionairess (1960) with Peter
Sellers, Vittorio De Sica’s triptych Ieri, oggi, domani (1963) with Marcello
Mastroianni, Peter Ustinov's Lady L (1965) with Paul Newman, and Charlie Chaplin's
final film, A Countess from Hong Kong (1967) with Marlon Brando.
Despite the failure of many of her films to generate sales at the box office, she
has an impressive roster of credits and work with famous co-stars. Invariably, she
has turned in a charming performance and worn some of the most lavish costumes ever
created for the movies. Some of her most attractive performances include A Breath
of Scandal (1960), Madame Sans-Gêne (1962), Heller in Pink Tights (1960) and More
Than A Miracle (1967).
Loren also recorded well over two dozen songs throughout her career, including a
best-selling album of comedic songs with Peter Sellers; reportedly, she had to fend
off his romantic advances. It was partly due to Sellers' infatuation with Loren
that he split with his first wife, Anne Howe. Loren has made it clear to numerous
biographers that Seller's affections were reciprocated only platonically. This
collaboration was covered in The Life and Death of Peter Sellers where actress
Sonia Aquino portrayed Loren.
Her struggle to have children was of worldwide interest. Having suffered two very
physically and emotionally-painful miscarriages, she was referred to Swiss
fertility specialist Dr. Huebert de Watteville. He determined that Loren was
deficient in estrogen, and after he prescribed regular injections of the hormone
and bed rest for her entire term, Loren became a mother twice. She has proudly
stated that the births of her sons meant more to her than anything else she had
accomplished in her life.
Once she achieved motherhood, Loren worked less. She moved into her 40's and 50's
with roles in films including the last De Sica movie, The Voyage, with Richard
Burton and Ettore Scola's A Special Day with Mastroianni.
In 1980, she portrayed herself, as well as her mother, in a made-for-television
biopic adaptation of her autobiography. Actresses, Ritza Brown and Chiara Ferrari
played Loren at younger ages. She made headlines in 1982 when she served an 18-day
prison sentence in Italy on tax evasion charges, a fact that didn't damage her
career or popularity.
In her 60s, Loren became selective about choosing her films and ventured into
various areas of business, including cook books, eyewear, jewelry and perfume. She
also made well-received appearances in Robert Altman's Ready to Wear and the 1995
comedy Grumpier Old Men playing a femme fatale opposite Walter Matthau and Jack
Lemmon.
In 1991, Loren received an honorary Academy Award for her contribution to world
cinema and was declared "one of the world cinema's treasures".
Source : Some of the information on this page came
from a Wikipedia article and is licensed under the GNU Documentation
License. ©2008 www.geneticmatrix.com.
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Sophia
Loren - Manifestor - Biography
