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Franz Kafka

Franz Kafka - Human Design Chart
1 Arrow General Details

Type                   

Manifestor
Inner Authority     Emotional - Solar Plexus Center
Profile                  2/4
Strategy                To Inform
Definition              Split Definition
Incarnation Cross   Right Angle Cross of Tension - 2
Personality Sun Quarter Civilization
1 Arrow Defined Centers  
1 Throat Center 
2 Heart Center
3 Solar Plexus Center
4 Root Center
1 Arrow Undefined Centers
1 Head Center
2 Ajna Center
3 G Center
4 Splenic Center
5 Sacral Center
1 Arrow Lines
1st Lines 04 - 15.38%

2nd Lines

04 - 15.38%
3rd Lines 07 - 26.92%
4th Lines

04 - 15.38%

5th Lines 04 - 15.38%
6th Lines 03 - 11.54%
1 Arrow Collective Gates 15.38%
Collective - Sensing Gates 02
Collective - Understanding Gates 02
Collective - Gates - Total 04
1 Arrow Individual  Gates 61.54%
Individual - Centering Gates 03
Individual - Knowing Gates 13
Individual - Gates - Total 16
1 Arrow Tribal Gates 23.08%
Tribal - Defence Gates 00

Tribal - Ego Gates

06
Tribal - Gates - Total 06
1 Arrow Collective Channels 00.00%
Collective - Sensing Channels 00

Collective - Understanding Channels

00
Collective - Channels - Total 00
1 Arrow Individual  Channels 50.00%
Individual - Centering Channels 00
Individual - Knowing Channels 01
Individual - Channels - Total 01
1 Arrow Integration Channels 00.00%
Integration - Integration Channels 00
1 Arrow Tribal Channels 50.00%
Tribal - Defence Channels 00
Tribal - Ego Channels 01
Tribal - Channels - Total 01
1 Arrow Quarters
Civilization Gates 13 - 50.00%
Duality Gates 05 - 19.23%
Initiation Gates 06 - 23.08%
Mutation Gates 02 - 07.69%

2arrow Franz Kafka - Manifestor - Biography

Franz Kafka (July 3, 1883 – June 3, 1924) was one of the major German-language fiction writers of the 20th century. A middle-class Jew based in Prague, his unique body of writing — many incomplete and most published posthumously — has become amongst the most influential in Western literature.

Kafka's works – including the stories Das Urteil (1913, "The Judgement"), In der Strafkolonie (1920, "In the Penal Colony"); the novella Die Verwandlung ("The Metamorphosis"); and unfinished novels Der Prozess ("The Trial") and Das Schloß ("The Castle") – have come to embody the blend of absurd, surreal and mundane which gave rise to the adjective "kafkaesque".

1 Arrow Life

1 Arrow Family
Kafka was born into a middle-class, German-speaking Jewish family in Prague, the capital of Bohemia. His father, Hermann Kafka (1852–1931), was described as a "huge, selfish, overbearing businessman" (Corngold 1972) and by Kafka himself as "a true Kafka in strength, health, appetite, loudness of voice, eloquence, self-satisfaction, worldly dominance, endurance, presence of mind, knowledge of human nature ...". Kafka struggled to come to terms with his domineering father. Hermann was the fourth child of Jacob Kafka, a butcher, and came to Prague from Osek, a Czech-speaking Jewish village near Písek in southern Bohemia. After working as a traveling sales representative, he established himself as an independent retailer of men's and women's fancy goods and accessories, employing up to 15 people and using a jackdaw (kavka in Czech) as his business logo. Kafka's mother, Julie (1856—1934), was the daughter of Jakob Löwy, a prosperous brewer in Poděbrady, and was better educated than her husband.

Kafka was the eldest of six children. He had two younger brothers, Georg and Heinrich, who died at the ages of fifteen months and six months, respectively, before Kafka was six, and three younger sisters, Gabriele ("Elli") (1889–1941), Valerie ("Valli") (1890–1942), and Ottilie ("Ottla") (1892–1943). On business days, both parents were absent from the home. His mother helped to manage her husband's business and worked in it as much as 12 hours a day. The children were largely reared by a series of governesses and servants.

Kafka's sisters were sent with their families to the Łódź ghetto and died there or in concentration camps. Ottla is believed to have been sent to the concentration camp at Theresienstadt and then to the death camp at Auschwitz.

1 Arrow Education
Kafka learned German as his first language, but he was also fluent in Czech. Later, Kafka also acquired some knowledge of French language and culture; one of his favorite authors was Flaubert. From 1889 to 1893, he attended the Deutsche Knabenschule, the boys' elementary school at the Fleischmarkt (meat market), the street now known as Masná Street in Prague. His Jewish education was limited to his Bar Mitzvah celebration at 13 and going to the synagogue four times a year with his father. After elementary school, he was admitted to the rigorous classics-oriented state gymnasium, Altstädter Deutsches Gymnasium, an academic secondary school with eight grade levels, where German was also the language of instruction, at Staroměstské náměstí, within the Kinsky Palace in the Old Town. He completed his Matura exams in 1901.

Admitted to the German Charles-Ferdinand University of Prague, Kafka first studied chemistry, but switched after two weeks to law. This offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings and other activities. In the end of his first year of studies, he met Max Brod, who would become a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of Doctor of Law on June 18, 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.

1 Arrow Work
On November 1, 1907, he was hired at the Assicurazioni Generali, a huge Italian insurance company, where he worked for nearly a year. His correspondence, during that period, witnesses that he was unhappy with his working time schedule - from 8 p.m (20:00) until 6 a.m (06:00) - as it made it extremely difficult for him to concentrate on his writing. On July 15, 1908, he resigned, and two weeks later found more congenial employment with the Worker's Accident Insurance Institute for the Kingdom of Bohemia. He often referred to his job as insurance officer as a "Brotberuf", literally "bread job", a job done only to pay the bills. However, he did not show any signs of indifference towards his job, as the several promotions that he received during his career prove that he was a hardworking employee. A little-known fact about this period, reported by Peter Drucker in Managing in the Next Society, is that Kafka invented the safety helmet. He received a medal for this invention in 1912 because it reduced Bohemian steel mill deaths to fewer than 25 per thousand employees. He was also given the task of compiling and composing the annual report and was reportedly quite proud of the results, sending copies to friends and family. In parallel, Kafka was also committed to his literary work. Together with his close friends Max Brod and Felix Weltsch these three were called "Der enge Prager Kreis", the close Prague circle.

In 1911, Karl Hermann, spouse of his sister Elli, proposed Kafka collaborate in the operation of an asbestos factory known as Prager Asbestwerke Hermann and Co. Kafka showed a positive attitude at first, dedicating much of his free time to the business. During that period, he also found interest and entertainment in the performances of Yiddish theatre, despite the misgivings of even close friends such as Max Brod, who usually supported him in everything else. Those performances also served as a starting point for his growing relationship with Judaism.

1 Arrow Later years
In 1912, at the home of his lifelong friend Max Brod, Kafka met Felice Bauer, who lived in Berlin and worked as a representative for a dictaphone company. Over the next five years they corresponded a great deal, met occasionally, and twice were engaged to be married. Their relationship finally ended in 1917.

In 1917, Kafka began to suffer from tuberculosis, which would require frequent convalescence during which he was supported by his family, most notably his sister Ottla. Despite his fear of being perceived as both physically and mentally repulsive, he impressed others with his boyish, neat, and austere good looks, a quiet and cool demeanor, obvious intelligence and dry sense of humor.

In the early 1920s he developed an intense relationship with Czech journalist and writer Milena Jesenská. In 1923, he briefly moved to Berlin in the hope of distancing himself from his family's influence to concentrate on his writing. In Berlin, he lived with Dora Diamant, a 25-year-old kindergarten teacher from an orthodox Jewish family, who was independent enough to have escaped her past in the ghetto. Dora became his lover, and influenced Kafka's interest in the Talmud.

It is generally agreed that Kafka suffered from clinical depression and social anxiety throughout his entire life. He also suffered from migraines, insomnia, constipation, boils, and other ailments, all usually brought on by excessive stresses and strains. He attempted to counteract all of this by a regimen of naturopathic treatments, such as a vegetarian diet and the consumption of large quantities of unpasteurized milk. However, Kafka's tuberculosis worsened; he returned to Prague, then went to Dr. Hoffmann sanatorium in Kierling near Vienna for treatment, where he died on June 3, 1924, apparently from starvation. The condition of Kafka's throat made it too painful to eat, and since intravenous therapy had not been developed, there was no way to feed him (a fate resembling that of Gregor in the Metamorphosis and the main character of A Hunger Artist). His body was ultimately brought back to Prague where he was interred on June 11, 1924, in the New Jewish Cemetery (sector 21, row 14, plot 33) in Prague-Žižkov.

1 Arrow Personal views
Kafka maintained his indifference to formal religion throughout most of his life. Yet, while never depicting the characters in his stories as Jewish, he never tried to obfuscate his Jewish roots. Intellectually, Hasidism held a strong appeal for him, especially because of the value it places in transcendent, mystical experience. During the last ten years of his life, Kafka even professed an interest in moving to Palestine. The ethical and procedural dilemmas presented in "The Judgment," "The Stoker," "A Hunger Artist," and "A Country Doctor" all bear distinct traces of Kafka's interest in rabbinical teachings as they pertain to law and justice. In addition, many of Kafka's short stories bear striking similarities to Jewish folk tales and parables (Before the Law, for example) The humorously meticulous style of the argumentative narrator in "Josephine the Singer," on the other hand, shadows the rhetorical conventions of rabbinical discourse.

Source : Some of the information on this page came from a Wikipedia article and is licensed under the GNU Documentation License. ©2008 www.geneticmatrix.com.

 
 
 
 
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