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Germany  Johannes Brahms - Human Design Chart & Information
Johannes Brahms
Johannes Brahms - Human Design Chart
1 Arrow General Details

Type                   

Generator
Inner Authority       Sacral - Sacral Center
Profile                  4/6
Strategy                To Respond
Definition              Split Definition
Incarnation Cross   Right Angle Cross of The Sphinx - 2
Personality Sun Quarter Civilization
1 Arrow Defined Centers  
1 G Center
2 Heart Center
3 Sacral Center
4 Root Center
1 Arrow Undefined Centers
1 Head Center
2 Ajna Center
3 Throat Center 
4 Splenic Center
5 Solar Plexus Center
1 Arrow Lines
1st Lines 03 - 11.54%

2nd Lines

08 - 30.77%
3rd Lines 01 - 03.85%
4th Lines

06 - 23.08%

5th Lines 03 - 11.54%
6th Lines 05 - 19.23%
1 Arrow Collective Gates 34.62%
Collective - Sensing Gates 07
Collective - Understanding Gates 02
Collective - Gates - Total 09
1 Arrow Individual  Gates 42.31%
Individual - Centering Gates 05
Individual - Knowing Gates 06
Individual - Gates - Total 11
1 Arrow Tribal Gates 23.08%
Tribal - Defence Gates 02

Tribal - Ego Gates

04
Tribal - Gates - Total 06
1 Arrow Collective Channels 50.00%
Collective - Sensing Channels 01

Collective - Understanding Channels

00
Collective - Channels - Total 01
1 Arrow Individual  Channels 50.00%
Individual - Centering Channels 01
Individual - Knowing Channels 00
Individual - Channels - Total 01
1 Arrow Integration Channels 00.00%
Integration - Integration Channels 00
1 Arrow Tribal Channels 00.00%
Tribal - Defence Channels 00
Tribal - Ego Channels 00
Tribal - Channels - Total 00
1 Arrow Quarters
Civilization Gates 06 - 23.08%
Duality Gates 04 - 15.38%
Initiation Gates 09 - 34.62%
Mutation Gates 07 - 26.92%

2arrow Johannes Brahms - Generator - Biography

Johannes Brahms (May 7, 1833 – April 3, 1897) was a German composer of the Romantic period. Born in Hamburg, he eventually settled in Vienna, Austria.

1 Arrow Brahms's personality
Like Beethoven, Brahms was fond of nature and often went walking in the woods around Vienna. He often brought penny candy with him to hand out to children. To adults Brahms was often brusque and sarcastic, and he sometimes alienated other people. His pupil Gustav Jenner wrote, "Brahms has acquired, not without reason, the reputation for being a grump, even though few could also be as lovable as he." He also had predictable habits which were noted by the Viennese press such as his daily visit to his favourite "Red Hedgehog" tavern in Vienna and the press also particularly took into account his style of walking with his hands firmly behind his back complete with a caricature of him in this pose walking alongside a red hedgehog. Those who remained his friends were very loyal to him, however, and he reciprocated with equal loyalty and generosity.

He was a lifelong friend with Johann Strauss II though they were very different as composers. Brahms even struggled to get to the Theater an der Wien in Vienna for the premiere of Strauss's operetta Die Göttin der Vernunft in 1897 before his death. Perhaps the greatest tribute that Brahms could pay to Strauss was his remark that he would have given anything to have written The Blue Danube waltz. An anecdote dating around the time Brahms became acquainted with Strauss is that the former cheekily inscribed the words "alas, not by Brahms!" on a fan decorated with the theme of the famous "Blue Danube" waltz.

Starting in the 1860s, when his works sold widely, Brahms was financially quite successful. He preferred a modest life style, however, living in a simple three-room apartment with a housekeeper. He gave away much of his money to relatives, and anonymously helped support a number of young musicians.

Brahms was an extreme perfectionist. He destroyed many early works - including a Violin Sonata he performed with Reményi and violinist Ferdinand David - and once claimed to have destroyed 20 string quartets before he issued his official First in 1873. Over the course of several years, he changed an original project for a Symphony in D minor into a piano concerto, his first. In another instance of devotion to detail, he labored over the official First Symphony for almost fifteen years, from about 1861 to 1876. Even after its first few performances, Brahms destroyed the original slow movement and substituted another before the score was published. (A conjectural restoration of the original slow movement has been published by Robert Pascall.) Another factor that contributed to Brahms's perfectionism was that Schumann had announced early on that Brahms was to become the next great composer like Beethoven, a prediction that Brahms was determined to live up to. This prediction hardly added to the composer's self-confidence, and may have contributed to the delay in producing the First Symphony. However, Clara Schumann noted before that Brahms's First Symphony was a product that was not reflective of Brahms's real nature. She felt that the final exuberant movement was "too brilliant," as she was encouraged by the dark and tempestuous opening movement she had seen in an early draft. However, she recanted in accepting the Second Symphony, which has often been seen in modern times as one of his sunniest works. Other contemporaries, however, found the first movement especially dark, and Reinhold Brinkmann, in a study of Symphony No.2 in relation to 19th century ideas of melancholy, has published a revealing letter from Brahms to the composer and conductor Vinzenz Lachner in which Brahms confesses to the melancholic side of his nature and comments on specific features of the movement that reflect this.

Brahms' place in musical history, which so concerned him, has placed him among the three great "Bs" of German composers: Bach, Beethoven and Brahms.

Source : Some of the information on this page came from a Wikipedia article and is licensed under the GNU Documentation License. ©2008 www.geneticmatrix.com.

 
 
 
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