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Hans Christian Anderson

Hans Christian Anderson - Human Design Chart
1 Arrow General Details

Type                   

Projector
Inner Authority     Self - G Center
Profile                  3/5
Strategy                To Wait for the Invitation
Definition              Split Definition
Incarnation Cross   Right Angle Cross of Tension - 3
Personality Sun Quarter Initiation
1 Arrow Defined Centers  
1 Head Center
2 Ajna Center
3 Throat Center 
4 G Center
1 Arrow Undefined Centers
1 Heart Center
2 Splenic Center
3 Sacral Center
4 Solar Plexus Center
5 Root Center
1 Arrow Lines
1st Lines 03 - 11.54%

2nd Lines

04 - 15.38%
3rd Lines 03 - 11.54%
4th Lines

06 - 23.08%

5th Lines 07 - 26.92%
6th Lines 03 - 11.54%
1 Arrow Collective Gates 38.46%
Collective - Sensing Gates 02
Collective - Understanding Gates 08
Collective - Gates - Total 10
1 Arrow Individual  Gates 42.31%
Individual - Centering Gates 03
Individual - Knowing Gates 08
Individual - Gates - Total 11
1 Arrow Tribal Gates 19.23%
Tribal - Defence Gates 00

Tribal - Ego Gates

05
Tribal - Gates - Total 05
1 Arrow Collective Channels 50.00%
Collective - Sensing Channels 00

Collective - Understanding Channels

01
Collective - Channels - Total 01
1 Arrow Individual  Channels 50.00%
Individual - Centering Channels 00
Individual - Knowing Channels 01
Individual - Channels - Total 01
1 Arrow Integration Channels 00.00%
Integration - Integration Channels 00
1 Arrow Tribal Channels 00.00%
Tribal - Defence Channels 00
Tribal - Ego Channels 00
Tribal - Channels - Total 00
1 Arrow Quarters
Civilization Gates 04 - 15.38%
Duality Gates 06 - 23.08%
Initiation Gates 07 - 26.92%
Mutation Gates 09 - 34.62%

2arrow Hans Christian Anderson - Projector - Biography

Hans Christian Andersen or simply H.C. Andersen , (April 2, 1805 – August 4, 1875) was a Danish author and poet, most famous for his fairy tales. Among his best-known stories are "The Snow Queen", "The Little Mermaid", "The Emperor's New Clothes" and "The Ugly Duckling". During Anderson's lifetime he was feted by Royalty and acclaimed as having brought joy to children across Europe. His fairy tales have been translated into well over a hundred languages and continue to be published in "millions of copies all over the world".

1 Arrow Childhood
Hans Christian Andersen was born in Odense, Denmark, on Tuesday, April 2, 1805. Most English (as well as German and French) sources use the name "Hans Christian Andersen", but in Denmark and the rest of Scandinavia he is usually referred to as merely "H. C. Andersen." His name "Hans Christian" is a traditional Danish name and is used as a single name, though originally a combination of two individual names. It is incorrect to use only one of the two parts. It is an accepted custom in Denmark to use only the initials in this and a few other names.

Andersen's father apparently believed that he might be related to nobility, and according to scholars at the Hans Christian Andersen Center, his paternal grandmother told him that the family had once been in a higher social class. However, investigation proves these stories unfounded. The family apparently did have some connections to Danish royalty, but these were work-related. Nevertheless, the theory that Andersen was the illegitimate son of royalty persists in Denmark, bolstered by the fact that the Danish King took a personal interest in Andersen as a youth and paid for his education. The writer Rolf Dorset insists that not all options have been explored in determining Andersen's heritage.

Andersen displayed great intelligence and imagination as a young boy, a trait fostered by the indulgence of his parents and by the superstition of his mother. He made himself a small toy-theatre and sat at home making clothes for his puppets, and reading all the plays that he could lay his hands upon; among them were those of Ludvig Holberg and William Shakespeare. Throughout his childhood, he had a passionate love for literature. He was known to memorize entire plays by Shakespeare and to recite them using his wooden dolls as actors. He was also a great lover of the art of banter, and assisted in initiating a society of like minded banterers amongst his friends.

1 Arrow Youth
In 1816, his father died and, in order to support himself, Andersen worked as an apprentice for both a weaver and a tailor. He later worked in a cigarette factory where his fellow workers humiliated him by betting on whether he was in fact a girl, pulling down his trousers to check. At the age of fourteen, Andersen moved to Copenhagen seeking employment as an actor in the theatre. He had a pleasant soprano voice and succeeded in being admitted to the Royal Danish Theatre. This career stopped short when his voice broke. A colleague at the theatre had referred to him as a poet, and Andersen took this very seriously and began to focus on writing.

Hans Christian Andersen in 1869, following an accidental meeting, Jonas Collin started taking an interest in the odd boy and sent Andersen to the grammar school in Slagelse, paying all his expenses. Before even being admitted to grammar-school, Andersen had already succeeded in publishing his first story, The Ghost at Palnatoke's Grave in (1822). Though an unwilling pupil, Andersen studied both in Slagelse and at a school in Elsinore until 1827. He later stated that these years had been the darkest and most bitter parts of his life. He had experienced living in his schoolmaster's own home, being abused in order to "build his character", and he had been alienated from his fellow students, being much older than most of them, homely and unattractive. Furthermore, he was dyslexic, a very likely reason for his learning difficulties and he later said that the school faculty forbade or discouraged him to write. He would later learn to speak near fluent English, Dutch, and German, as well as the Scandanavian languages.

1 Arrow Career

1 Arrow Early works
In 1829, Andersen enjoyed a considerable success with a short story entitled "A Journey on Foot from Holmen's Canal to the East Point of Amager." During the same season, he published both a farce and a collection of poems. He had little further progress, however, until 1833 when he received a small traveling grant from the King, making the first of his long European journeys. At Le Locle, in the Jura, he wrote "Agnete and the Merman"; and in October 1834 he arrived in Rome. Andersen's first novel, The Improvisatore, was published in the beginning of 1835, and became an instant success.

1 Arrow Anderson's Fairy Tales
It was during 1835 that Anderson published the first installment of his immortal Fairy Tales (Danish: Eventyr). More stories, completing the first volume, were published in 1836 and 1837. The quality of these stories was not immediately recognised, and they sold poorly. At the same time, Andersen enjoyed more success with two novels: O.T. (1836) and Only a Fiddler (1837).

After a visit to Sweden in 1837, Andersen became inspired by Scandinavism and committed himself to writing a poem to convey his feeling of relatedness between the Swedes, the Danes and the Norwegians. It was in July 1839 during a visit to the island of Funen that Andersen first wrote the text of his poem Jeg er en Skandinav (I am a Scandinavian). Andersen designed the poem to capture "the beauty of the Nordic spirit, the way the three sister nations have gradually grown together" as part of a Scandinavian national anthem. Composer Otto Lindblad set the poem to music and the composition was published in January 1840. Its popularity peaked in 1845, after which it was seldom sung.

1 Arrow Travelogues
In 1851, he published to wide acclaim In Sweden, a volume of travel sketches. A keen traveller, Andersen published several other long travelogues: Shadow Pictures of a Journey to the Harz, Swiss Saxony, etc. etc. in the Summer of 1831 (1831), A Poet's Bazaar (1842), In Spain (1863), and A Visit to Portugal in 1866 (1868). The latter describes his visit with his Portuguese friends Jorge and Jose O'Neill, who were his fellows in the mid 1820s while living in Copenhagen. In his travelogues, Andersen took heed of some of the contemporary conventions about travel writing; but always developed the genre to suit his own purposes. Each of his travelogues combines documentary and descriptive accounts of the sights he saw with more philosophical excurses on topics such as being an author, immortality, and the nature of fiction in the literary travel report. Some of the travelogues, such as In Sweden, even contain fairy-tales.

In the 1840s Andersen's attention returned to the stage, however with no great success. His true genius was however proved in the miscellany the Picture-Book without Pictures (1840). The fame of his Fairy Tales had grown steadily; a second series began in 1838 and a third in 1845. Andersen was now celebrated throughout Europe, although his native Denmark still showed some resistance to his pretensions.

1 Arrow Meetings with Dickens
In June 1847, Anderson paid his first visit to England and enjoyed a triumphal social success during the summer. Countess of Blessington invited him to her parties where intellectual and famous people could meet, and it was at one party that he met Charles Dickens for the first time. They shook hands and walked to the veranda which was of much joy to Andersen. He wrote in his diary "We had come to the veranda, I was so happy to see and speak to England's now living writer, whom I love the most."

Ten years later, Andersen visited England, primarily to visit Dickens. He stayed at Dickens' home for five weeks, oblivious to Dickens' increasingly blatant hints for him to leave. Dickens' daughter said of Andersen, "He was a bony bore, and stayed on and on." Shortly after Andersen left, Dickens published David Copperfield, featuring the obsequious Uriah Heep, who is said to have been modeled on Andersen. Andersen quite enjoyed the visit, and never understood why Dickens stopped answering his letters.

1 Arrow Later works
Andersen continued to publish many works, still hoping to excel as both novelist and dramatist, but was unsuccessful in the attempt. He disdained the enchanting Fairy Tales, the composition of which had proved his unique genius. He did, however, continue to write them, and two more collections appeared in 1847 and 1848. After a long silence, Andersen published a new novel To Be Or Not to Be in 1857. He continued publishing his Fairy Tales in installments, until 1872. He published his last stories at Christmas in this year.

1 Arrow Death
In the spring of 1872, Andersen fell out of bed and was severely hurt. He never quite recovered, but he lived until August 4, 1875, dying peacefully in a house called Rolighed (literally: calmness), near Copenhagen, which was given to him by his friend Moritz Melchior, a banker. Shortly before his death, he had consulted a composer about the music for his funeral, saying: "Most of the people who will walk after me will be children, so make the beat keep time with little steps." His body was interred in the Assistens Kirkegård in the Nørrebro area of Copenhagen. At the time of his death, he was an internationally renowned and treasured artist. He received a stipend from the Danish Government as a "national treasure". Before his death, steps were already underway to erect the large statue inn his honour which was completed and is prominently placed in Copenhagen.

The critic Georg Brandes had questioned Anderson about whether he would write his autobiography. He claimed that it had already been written- "The Ugly Duckling".

1 Arrow Fairy tales
Some of his most famous fairy tales include:

The Angel
The Bell
The Emperor's New Clothes
The Fir Tree
The Happy Family
It's Quite True!
The Little Match Girl
The Little Mermaid
Little Tuk
The Nightingale
The Old House
Ole-Lukøie
The Princess and the Pea (also known as The Real Princess)
The Red Shoes
The Shadow
The Snow Queen
The Steadfast Tin Soldier
The Story of a Mother
The Swineherd
Thumbelina
The Tinder Box
The Ugly Duckling
The Wild Swans

Source : Some of the information on this page came from a Wikipedia article and is licensed under the GNU Documentation License. ©2008 www.geneticmatrix.com.

 
 
 
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