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Muhammad Ali
Muhammad Ali - Human Design Chart
1 Arrow General Details

Type                   

Manifesting Generator
Inner Authority     Emotional - Solar Plexus Center
Profile                  1/4
Strategy                To Respond
Definition              Triple Split Definition
Incarnation Cross  

Right Angle Cross of Laws - 4

Personality Sun Quarter Mutation
1 Arrow Defined Centers  
1 Head Center
2 Ajna Center
3 Throat Center
4 Heart Center
5 Splenic Center
6 Sacral Center
7 Solar Plexus Center
8 Root Center
1 Arrow Undefined Centers
1 G Center
1 Arrow Lines
1st Lines 06 - 23.08%

2nd Lines

03 - 11.54%
3rd Lines 05 - 19.23%
4th Lines

05 - 19.23%

5th Lines 03 - 11.54%
6th Lines 04 - 15.38%
1 Arrow Collective Gates 42.31%
Collective - Sensing Gates 07
Collective - Understanding Gates 04
Collective - Gates - Total 11
1 Arrow Individual  Gates 30.77%
Individual - Centering Gates 01
Individual - Knowing Gates 07
Individual - Gates - Total 08
1 Arrow Tribal Gates 26.92%
Tribal - Defense Gates 02

Tribal - Ego Gates

05
Tribal - Gates - Total 07
1 Arrow Collective Channels 20.00%
Collective - Sensing Channels 01

Collective - Understanding Channels

00
Collective - Channels - Total 01
1 Arrow Individual  Channels 20.00%
Individual - Centering Channels 00
Individual - Knowing Channels 01
Individual - Channels - Total 01
1 Arrow Integration Channels 00.00%
Integration - Integration Channels 00
1 Arrow Tribal Channels 60.00%
Tribal - Defense Channels 01
Tribal - Ego Channels 02
Tribal - Channels - Total 03
1 Arrow Quarters
Civilization Gates 09 - 34.62%
Duality Gates 06 - 23.08%
Initiation Gates 07 - 26.92%
Mutation Gates 04 - 15.38%

2arrow Muhammad Ali - Manifesting Generator - Biography

Muhammad Ali (b. 1942), prizefighter. Despite the considerable achievements of such important African American athletes as Jesse Owens, Joe Louis, Wilma Rudolph, Jim Brown, and Jackie Robinson, the young brash prizefighter from Louisville, Kentucky, may very well have eclipsed their significance.

He surely eclipsed their fame as, at the height of his career in the early and middle 1970s, Muhammad Ali was, without question, the most famous African American in history and among the five most recognized faces on the planet.

Born Cassius Marcellus Clay, Jr., in 1942 (named after both his father and the famous Kentucky abolitionist), the gregarious, handsome, and extraordinarily gifted boxer garnered world attention by winning a gold medal in the 1960 Olympics. He further stunned the sports world by beating the heavily favored Sonny Liston to win the heavyweight title in 1964, and shocked white America by announcing right after that fight that he had joined the militant, antiwhite Nation of Islam, the Black Muslims, whose most well-known figure was the fiery orator Malcolm X. He also announced that he was changing his name to Muhammad Ali.

When he opposed being drafted during the Vietnam War on religious grounds and was subsequently convicted of violating the Selective Service Act in 1967, he was denied a license to fight anywhere in the United States. He was, at this time, among white America, probably the most hated black public figure since heavyweight boxing champion Jack Johnson.

After an exile of three and a half years, Ali returned triumphantly to boxing in 1970, even though he lost his title to Joe Frazier in 1971. He eventually won back his title in 1974, and after losing it once in 1978 regained it again later that year.

Ali exercised an extraordinary influence on African American culture in the 1960s, doing much to keep the Nation of Islam popular in the black community after the assassination of Malcolm X in 1965.

He figured in the writings of such important 1960s black literary figures as Amiri Baraka Eldridge Cleaver, Malcolm X, and Larry Neal, not to mention numerous black journalists and poets.

He came to symbolize black manhood and masculinity, unbowed and uncompromising, adversarial and combative, a virtually one-person definition of African American self-determination in the middle and late 1960s. But his boyish bragging and his poetic predictions of doom for his opponents made him an important public prefigure for the performance art of rap.

Source : Some of the information on this page came from a Wikipedia article and is licensed under the GNU Documentation License. ©2008 www.geneticmatrix.com.

 
 
 
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